the head; The script did not call for that dramatic sequence; Then there’s justification for bringing up that kind of thing: Jis Happiness

This year saw the release of Thalavan, an investigative criminal thriller by Asif Ali and Biju Menon. The film, which was directed by Jis Joy, did well in theatres. Thalavan held the distinction of being the film featuring Asif Ali and Jis Joy, following Bicycle Thieves, Sunday Holiday, Vijay Super, Pournami, and Jaya Tak.

Anand Thevarkat and Sarath Perumbavoor wrote the movie’s script, but Jis Joy, the director, wrote part of the dialogue. Jis Joy discusses creating scenes during the dialogue writing process that weren’t in the screenplay. In an interview with CinemaPranthan, he was saying.

Anand Thevarkat and Sarath Perumbavoor each had a well-defined script in their possession. It was a work to order later, in my opinion. The sequences were expertly switched around. Additionally, there can be some scenes that come to mind while composing the dialogue. If things work out this way, it appears to be a wonderful thing. Sometimes it might not be in the script. That is how a lot of scenes are written.

Take the scenario where the cops attack the lodge, for instance. That scene occurs close to the end of the film. The script contained no such scenario. That film did contain a few sequences like that. When drafting the dialogue, those are the scenes that immediately spring to mind. Our time in this screenplay is limited to two or three months. Nothing more concerning the filmmaker will occur to mind at that point. Our characters alone will be on our minds. Jis Joy remarked, “Only that movie, the characters, and the area will come to mind.”

Take the scenario where the cops attack the lodge, for instance. That scene occurs close to the end of the film. The script contained no such scenario. That film did contain a few sequences like that. When drafting the dialogue, those are the scenes that immediately spring to mind. Our time in this screenplay is limited to two or three months. Nothing more concerning the filmmaker will occur to mind at that point. Our characters alone will be on our minds. Jis Joy remarked, “Only that movie, the characters, and the area will come to mind.”